Spotlight Art – Playa del Karma – Painting of the Day by Katrina Berlin

(CONTEMPORARY) (ABSTRACT) (EXPRESSIONISM) (PAINTING) (TITLE) (PLAYA DEL KARMA)) (ARTIST) (KATRINA BERLIN) (LINE) (GESTURE) (COLOUR) (MOVEMENT) (COMPOSITION) (FORM) (IMAGINATION)

Painting Attribution © Katrina Berlin, Playa del Karma, 2018

Source Attribution https://www.saatchiart.com/art/Painting-Playa-del-Karma/929869/4163272/view

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Spotlight Poetry – The Sea Limits – A Poem by Dante Gabriel Rossetti

(PAINTING) (TITLE) (SOLITUDE) (ARTIST) (LIZA ILLICHMANN) (POEM)  (TITLE) (THE SEA LIMITS) (POET) (DANTE GABRIEL ROSSETTI)

© Liza Illichmann, Solitude, 2022

The Sea Limits by Dante Gabriel Rossetti

Consider the sea’s listless chime:
Time’s self it is, made audible,—

The murmur of the earth’s own shell.
Secret continuance sublime
Is the sea’s end: our sight may pass
No furlong further. 
 Since time was,
This sound hath told the lapse of time.

No quiet, which is death’s,—it hath
The mournfulness of ancient life,

Enduring always at dull strife.
As the world’s heart of rest and wrath,
Its painful pulse is in the sands.
Last utterly, the whole sky stands,

Grey and not known, along its path.

Listen alone beside the sea,
Listen alone among the woods;

Those voices of twin solitudes
Shall have one sound alike to thee:
Hark where the murmurs of thronged men
Surge and sink back and surge again,—

Still the one voice of wave and tree.

Gather a shell from the strewn beach
And listen at its lips: they sigh

The same desire and mystery,
The echo of the whole sea’s speech.
And all mankind is thus at heart
Not anything but what thou art:

And Earth, Sea, Man, are all in each.

Poem Attribution © Dante Gabriel Rossetti, The Sea Limits

Source Attribution https://hellopoetry.com/poem/4837/the-sea-limits/

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Painting Attribution © Liza Illichmann, Solitude, 2022

Source Attribution https://www.saatchiart.com/art/Painting-Solitude/1882986/9660335/view

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Spotlight Art – Beloved Decay – Painting of the Day by Cat Huss

(CONTEMPORARY) (ABSTRACT) (CONCEPTUAL) (PAINTING) (TITLE) (BELOVED DECAY) (ARTIST) (CAT HUSS) (LINE) (GESTURE) (COLOUR) (MOVEMENT) (COMPOSITION) (FORM)

Painting Attribution © Cat Huss, Beloved Decay, 2022

Source Attribution https://www.saatchiart.com/art/Painting-Beloved-Decay/1005524/9351003/view

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Spotlight Art – Starlight Three – Painting of the Day by Paige Schiller Hirsch

(CONTEMPORARY) (ABSTRACT) (EXPRESSIONISM) (PAINTING) (TITLE) (STARLIGHT THREE) (ARTIST) (PAIGE SCHILLER HIRSCH) (LINE) (PATTERN) (COLOUR) (MOVEMENT) (COMPOSITION) (FORM) (IMAGINATION)

Painting Attribution © Paige Schiller Hirsch, Starlight Three, 2021

Source Attribution https://www.saatchiart.com/art/Painting-StarlightThree-abstract-painting/733463/8172727/view

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Spotlight Art – In Breathless Silence – Painting of the Day by Christian Bahr

(CONTEMPORARY) (ABSTRACT) (EXPRESSIONISM) (PAINTING) (TITLE) (IN BREATHLESS SILENCE) (ARTIST) (CHRISTIAN BAHR) (LINE) (GESTURE) (COLOUR) (MOVEMENT) (COMPOSITION) (IMAGINATION)

Painting Attribution © Chritian Bahr, In Breathless Silence, 2012

Source Attribution https://www.saatchiart.com/art/Painting-IN-BREATHLESS-SILENCE/81234/6327547/view

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Spotlight Art – Temple – Painting of the Day by Jason Erler

(CONTEMPORARY) (ABSTRACT) (LANDSCAPE) (POP ART) (MINIMALISM) (PAINTING) (TITLE) (TEMPLE) (ARTIST) (JASON ERLER) (SHAPE) (COLOUR) (MOVEMENT) (COMPOSITION) (FORM) (IMAGINATION)

Painting Attribution © Jason Erler, Temple, 2019

Source Attribution https://www.saatchiart.com/art/Painting-Temple/1347116/6680923/view

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Spotlight Art – Reflections I – A Painting by Goff James

(CONTEMPORARY) (ABSTRACT) (LANDSCAPE) (PAINTING) (DIGITAL ART) (TITLE) (REFLECTIONS 1) (ARTIST) (GOFF JAMES) (LINE) (GESTURE) (COLOUR) (MOVEMENT) (COMPOSITION) (IMAGINATION)

Painting Attribution – Goff James – Reflections I, 2012

Copyright (c) 2023 Goff James – All Rights Reserved 

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Spotlight Poetry – Tartary – A Poem by Walter de la Mare

(PAINTING) (TITLE) (PAISLEY PEACOCK) (ARTIST) (DAVID GALCHUTT) (POEM) (TITLE) (TARTARY) (POET) (WALTER DE LA MARE)

© David Galchutt, Paisley Peacock, 2020

Tartary by Walter de la Mare

If I were Lord of Tartary,
Myself, and me alone,
My bed should be of ivory,
Of beaten gold my throne;

And in my court should peacocks flaunt,
And in my forests tigers haunt,
And in my pools great fishes slant
Their fins athwart the sun.


If I were Lord of Tartary,
Trumpeters every day
To all my meals should summon me,
And in my courtyards bray;

And in the evening lamps should shine,
Yellow as honey, red as wine,
While harp, and flute, and mandoline
Made music sweet and gay.


If I were Lord of Tartary,
I’d wear a robe of beads,
White, and gold, and green they’d be —
And small and thick as seeds;

And ere should wane the morning star,
I’d don my robe and scimitar.
And zebras seven should draw my car
Through Tartary’s dark glades.


Lord of the fruits of Tartary.
Her rivers silver-pale!
Lord of the hills of Tartary.
Glen, thicket, wood, and dale!

Her flashing stars, her scented breeze,
Her trembling lakes, like foamless seas,
Her bird-delighting citron-trees,
In every purple vale!

Poem Attribution © Walter de la Mare, Tartary

Source Attribution https://www.poetrynook.com/poem/tartary

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Painting Attribution © David Galchutt, Paisley Peacock, 2020

Source Attribution https://fineartamerica.com/featured/paisley-peacock-david-galchutt.html

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Spotlight Poetry – Sunday After Church – A Poem by Goff James

(PAINTING) (TITLE) (THE EXPECTED ONE) (ARTIST) (FERINAND GEORG WALDMÜLLER) (POEM) (TITLE) (SUNDAY AFTER CHURCH) (POET) (GOFF JAMES)

A poem inspired by Colleen Chesebro’s ekphrastic tanka prompt – ‘The Expected One

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Poem Attribution – Goff James – Sunday After Church

Copyright (c) 2023 Goff James – All Rights Reserved 

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Image © Ferdinand Georg Waldmüller, The Expected One (1880), (Museum: Bavarian State Painting Collections)

Spotlight Poetry – The Jumblies – A Poem by Edward Lear

(PAINTING) (LITHO PRINT) (TITLE)  (THE JUMBLIES) (ARTIST) (LEONARD LESLIE BROOKE) (POEM) (THE JUMBLIES) (POET) (EDWARD LEAR)

© Leonard Leslie Brooke, The Jumblies (Colour Litho), Date Unstated

The Jumblies by Edward Lear

I
 
They went to sea in a Sieve, they did,
   In a Sieve they went to sea:

In spite of all their friends could say,
On a winter’s morn, on a stormy day,
   In a Sieve they went to sea!
And when the Sieve turned round and round,

And every one cried, ‘You’ll all be drowned!’
They called aloud, ‘Our Sieve ain’t big,
But we don’t care a button! we don’t care a fig!
   In a Sieve we’ll go to sea!’

      Far and few, far and few,
         Are the lands where the Jumblies live;
      Their heads are green, and their hands are blue,
         And they went to sea in a Sieve.

 
 II
 
They sailed away in a Sieve, they did,
   In a Sieve they sailed so fast,
With only a beautiful pea-green veil
Tied with a riband by way of a sail,

   To a small tobacco-pipe mast;
And every one said, who saw them go,
‘O won’t they be soon upset, you know!
For the sky is dark, and the voyage is long,

And happen what may, it’s extremely wrong
   In a Sieve to sail so fast!’
      Far and few, far and few,
         Are the lands where the Jumblies live;

      Their heads are green, and their hands are blue,
         And they went to sea in a Sieve.

 
 III
 
The water it soon came in, it did,
   The water it soon came in;

So to keep them dry, they wrapped their feet
In a pinky paper all folded neat,
   And they fastened it down with a pin.
And they passed the night in a crockery-jar,

And each of them said, ‘How wise we are!
Though the sky be dark, and the voyage be long,
Yet we never can think we were rash or wrong,
   While round in our Sieve we spin!’

      Far and few, far and few,
         Are the lands where the Jumblies live;
      Their heads are green, and their hands are blue,
         And they went to sea in a Sieve.

 
 IV
 
And all night long they sailed away;
   And when the sun went down,
They whistled and warbled a moony song
To the echoing sound of a coppery gong,

   In the shade of the mountains brown.
‘O Timballo! How happy we are,
When we live in a sieve and a crockery-jar,
And all night long in the moonlight pale,

We sail away with a pea-green sail,
   In the shade of the mountains brown!’
      Far and few, far and few,
         Are the lands where the Jumblies live;

     Their heads are green, and their hands are blue,
         And they went to sea in a Sieve.

 

V
 
They sailed to the Western Sea, they did,
   To a land all covered with trees,

And they bought an Owl, and a useful Cart,
And a pound of Rice, and a Cranberry Tart,
   And a hive of silvery Bees.
And they bought a Pig, and some green Jack-daws,

And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
   And no end of Stilton Cheese.
      Far and few, far and few,

         Are the lands where the Jumblies live;
      Their heads are green, and their hands are blue,
         And they went to sea in a Sieve.

Poem Attribution © Edward Lear, The Jumblies,

Source Attribution https://www.poetryfoundation.org/poems/54364/the-jumblies

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Painting / Print Attribution © Leonard Leslie Brooke, The Jumblies (Colour Litho), Date Unstated

Source Attribution https://www.meisterdrucke.uk/fine-art-prints/Leonard-Leslie-Brooke/1067056/The-Jumblies-(colour-litho).html

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