Poetry Plus – Song of the Flower XXXIII – A poem by Khalil Gibran

Song of the Flower XXIII by Khalil Gibran

Morning’s Flowers Sing

Morning’s flowers sing
The sweet love songs of my heart
Borne upon the breeze

Khalil Gibran (1883 -1931), Lebanese-American philosophical essayist, novelist, poet, and artist.

Khalil Gibran considered himself to be mainly a painter, lived most of his life in the United States, and wrote his best-known works in English, Kahlil Gibran was the key figure in a Romantic movement that transformed Arabic literature in the first half of the twentieth century.

Gibran’s simple and direct style was a revelation and an inspiration. His themes of alienation, disruption, and lost rural beauty and security in a modernizing world also resonated with the experiences of his readers.

He quickly found admirers and imitators among Arabic writers, and his reputation as a central figure of Arabic literary modernism has never been challenged.

Poem Attribution © Khalil Gibran, Song of the Flower XXIII

Source Attribution  https://allpoetry.com/Song-Of-The-Flower——XXIII

Senryū Attribution Goff James, Morning’s Flowers Sing

More senryū poems by Goff James

Song Of The Flower XXIII by Khalil Gibran

I am a kind word uttered and repeated
By the voice of Nature;
I am a star fallen from the
Blue tent upon the green carpet.
I am the daughter of the elements
With whom Winter conceived;
To whom Spring gave birth; I was
Reared in the lap of Summer and I
Slept in the bed of Autumn.

At dawn I unite with the breeze
To announce the coming of light;
At eventide I join the birds
In bidding the light farewell.

The plains are decorated with
My beautiful colors, and the air
Is scented with my fragrance.

As I embrace Slumber the eyes of
Night watch over me, and as I
Awaken I stare at the sun, which is
The only eye of the day.

I drink dew for wine, and hearken to
The voices of the birds, and dance
To the rhythmic swaying of the grass.

I am the lover’s gift; I am the wedding wreath;
I am the memory of a moment of happiness;
I am the last gift of the living to the dead;
I am a part of joy and a part of sorrow.

But I look up high to see only the light,
And never look down to see my shadow.
This is wisdom which man must learn.

Painting Attribution © Yvonne Coomber, Sweet Love Songs of My Heart, (Date Unstated)

Source Attribution https://www.saatchiart.com/art/Painting-Sweet-Love-Songs-of-My-Heart/659857/4164629/view

Bio Reference Attribution https://www.britannica.com/biography/Khalil-Gibran & https://www.poetryfoundation.org/poets/kahlil-gibran

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Art Photography Poetry

Art Plus – Still Life with Fruit (1675) – A painting by Jacob van Walscapelle

Elegant Grandeur

Elegant Grandeur
O’erflowing with pained ripeness
Harvest’s sacrifice

Still Life with Fruit (1675) Jacob van Walscapelle (National Gallery of Art, Washington, D.C.)

Though modest in size and compass, this still-life painting by Jacob van Walscapelle has a remarkable sense of grandeur. Assembling only a few objects on a plain stone ledge, the artist has conveyed a monumentality of presence usually found in much larger and more complex still life works. The painting possess compositional restraint and an elegant simplicity.

Bathed in soft light, every figural element quietly asserts its essential properties. The Venetian-style glass filled with wine sparkles against the sombre dark background. The pomegranate bursting with seeds invites the viewer to imagine its ripe taste, as do the grapes spilling over the edge. In addition to their simple beauty, these items are also part of a long iconographic tradition within still-life painting.

The grapes and wine evoke the Christian Eucharist, while pomegranates have complex associations with Christ’s suffering and the Resurrection. In this sense, Van Walscapelle’s painting encourages the viewer to contemplate Christ’s sacrifice and eventual rebirth.

Poem Attribution Goff James, Elegant Grandeur

More senryū poems by Goff James

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Art Photography Poetry

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Painting Attribution © Jacob van Walscspelle, Still Life with Fruit

Source Attribution https://www.nga.gov/collection/art-object-page.119295.html

Reference Attribution https://www.nga.gov/collection/art-object-page.119295.html